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13 Songs, 54 Minutes

Lana Del Rey Die For Me Download Movie

EDITORS’ NOTES

Filled with torch songs influenced by hip-hop, Lana Del Rey wrote and recorded Born to Die in a chilling fashion. These noir-shaded numbers are mostly built on orchestral accouterments and subtle vocal samples. Del Rey’s husky narrative lingers like smoke clouds, leaving wafts of rhythmic phrasings delivered by an icy, heartbroken femme fatale.

EDITORS’ NOTES

Filled with torch songs influenced by hip-hop, Lana Del Rey wrote and recorded Born to Die in a chilling fashion. These noir-shaded numbers are mostly built on orchestral accouterments and subtle vocal samples. Del Rey’s husky narrative lingers like smoke clouds, leaving wafts of rhythmic phrasings delivered by an icy, heartbroken femme fatale.

TITLETIME
  • 13 Songs, 54 Minutes
  • Released: Jan 27, 2012
  • ℗ 2011 Lana Del Rey, under exclusive licence to Polydor Ltd. (UK). Under exclusive licence to Interscope Records in the USA

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Del Rey performing at the 2017 edition of KROQ Weenie Roast
Born
June 21, 1985 (age 34)
New York City, New York, U.S.
ResidenceVenice Beach, Los Angeles, California, U.S.
Alma materFordham University
Occupation
  • Singer
  • songwriter
  • record producer
  • poet
  • model
  • music video director
Home townLake Placid, New York, U.S.
AwardsList
Musical career
Also known as
Genres
InstrumentsVocals
Years active2005–present
Labels
Associated acts
Websitelanadelrey.com
Signature

Elizabeth Woolridge Grant (born June 21, 1985),[1] known professionally as Lana Del Rey, is an American singer, songwriter, record producer, poet, model, and music video director. Her music has been noted by critics for its stylized cinematic quality; its preoccupation with themes of tragic romance, glamour, and melancholia; and its references to pop culture, particularly 1950s and 1960sAmericana.[2][3]

Raised in Upstate New York, Del Rey moved to New York City in 2005 to embark on her music career. Following numerous projects including her debut studio album and the unreleased Sirens, Del Rey's breakthrough came after the viral success of her debut single 'Video Games' in 2011.[4] She then signed with Interscope and Polydor later that year. Her major label debut Born to Die (2012) proved an international success and spawned her first top-ten single on the Billboard Hot 100 with the Cedric Gervais remix of 'Summertime Sadness'.[5]

Del

Del Rey released the Grammy-nominated EP, Paradise (2012), to further positive reviews. In 2013, Del Rey ventured into film as she wrote and starred in the short film, Tropico (2013), and released 'Young and Beautiful', the theme for The Great Gatsby (2013). Del Rey subsequently issued her sophomore major label effort, Ultraviolence (2014), to similar success as it topped the charts and spawned the hit single, 'West Coast'. That same year, Del Rey recorded the eponymous theme for Big Eyes (2014), which garnered her both a Grammy and Golden Globe nomination. Since then, Del Rey has released Honeymoon (2015) and Lust for Life (2017), the latter of which topped the charts in the U.S. and was nominated for the Grammy Award for Best Pop Vocal Album.

  • 1Life and career
  • 2Artistry
  • 3Public image

Life and career

1985–2004: Early life

Elizabeth Woolridge Grant was born in New York City on June 21, 1985,[1][6] to Robert England Grant, Jr., a Grey Groupcopywriter turned entrepreneur, and Patricia Ann 'Pat' (née Hill), a former Grey account executive turned high school teacher.[7][8][9][10] She has one younger sister, Caroline Grant,[11] and one brother, Charlie.[12][13] Her paternal grandfather, Robert England Grant, Sr. was a Kidder, Peabody & Co.investment banker, a vice president for Plough, Inc and Textron, and venture capitalist.[14] She has Scottish ancestry from both her mother and father.

Grant grew up in Lake Placid, New York,[15] and was raised Roman Catholic.[16] She attended a Catholic elementary school[13] and for one year, a high school where her mother taught.[17] She began singing in her church choir when she was a child, where she was the cantor.[13][18]

At age 15,[6][17][19] she was sent to Kent School by her parents[19] to resolve a budding drinking problem.[20] Her uncle, an admissions officer at the boarding school, secured her financial aid to attend.[a]

After graduating, Del Rey was accepted to the State University of New York at Geneseo, but she decided not to attend and instead spent a year living on Long Island with her aunt and uncle while working as a waitress.[7] During this time, Del Rey's uncle taught her how to play guitar, and she 'realized [that she] could probably write a million songs with those six chords.'[24] Shortly after, she began writing songs and performing in nightclubs around the city under various names such as 'Sparkle Jump Rope Queen' and 'Lizzy Grant and the Phenomena'.[24] 'I was always singing, but didn't plan on pursuing it seriously', Del Rey said. 'When I got to New York City when I was eighteen, I started playing in clubs in Brooklyn—I have good friends and devoted fans on the underground scene, but we were playing for each other at that point—and that was it.'[6]

The following fall, at age 19, she enrolled at Fordham University where she majored in philosophy, with an emphasis on metaphysics.[6] She has said she chose to study the subject because it 'bridged the gap between God and science... I was interested in God and how technology could bring us closer to finding out where we came from and why.'[6] According to Del Rey, she had trouble making friends in both boarding school and college.[25][26] She lived in The Bronx[27] while attending Fordham. Before graduating in 2008, she moved to North Bergen, New Jersey. She was also a Brooklyn resident for four years.[19]

In college, Del Rey volunteered work at homeless youth and drug and alcohol outreach programs, as well as helping paint and rebuild houses on an Indian reservation in Utah.[13] She would cite this trip as integral in her decision to become a songwriter: 'I remember exactly when I decided that I wanted to be a singer. I was in college, [and] we went to the Indian reservation. That day I realized that I had only two options: either making music or volunteering for a good cause. I chose the first option. If it [had] not [worked], I would [have] probably [done] social work in any small town.'[28]

2005–2010: Career beginnings

I wanted to be part of a high-class scene of musicians. It was half-inspired because I didn't have many friends, and I was hoping that I would meet people and fall in love and start a community around me, the way they used to do in the '60s.

—Del Rey explaining why she went into the music industry.[26]

On April 25, 2005, a seven-track extended play was registered under Elizabeth Woolridge Grant with the United States Copyright Office. The application title was Rock Me Stable with another title Young Like Me also listed.[29] A second extended play, titled From the End, was also recorded under Del Rey's stage name at the time, May Jailer.[30] Between 2005 and 2006, she recorded an acoustic album titled Sirens under the May Jailer project,[30] which later leaked on the internet in mid-2012.[b]

At her first performance in 2006 for the Williamsburg Live Songwriting Competition, Del Rey met Van Wilson, an A&R representative for 5 Points Records,[36][37] an independent label owned by David Nichtern.[37] In 2007, while a senior at Fordham, Del Rey submitted a demo tape of acoustic tracks titled No Kung Fu to 5 Points Records,[30] who subsequently offered her a recording contract for $10,000.[30] Del Rey used the money to relocate to Manhattan Mobile Home Park, a trailer park in North Bergen, New Jersey,[6][19] and subsequently began working with producer David Kahne,[37] with whom she released a three-track EP titled Kill Kill in October 2008 as Lizzy Grant.[38] She explained that 'David asked to work with me only a day after he got my demo. He is known as a producer with a lot of integrity and who had an interest in making music that wasn't just pop.'[39] The album, however, was shelved, causing her to shift her focus: She began to work in community service. 'Homeless outreach, drug, and alcohol rehabilitation—that's been my life for the past five years', she told Vogue UK in 2012.[6] Her debut full-length album, titled Lana Del Ray, was released in January 2010.[40] Her father, Robert Grant, helped with the marketing of the album,[40] which was available for purchase on iTunes for a brief period before being withdrawn.

David Kahne, who produced Grant and previous label owner David Nichtern have both stated that Grant bought the rights back from her label, 5 Points, as she wanted it out of circulation to 'stifle future opportunities to distribute it—an echo of rumors that the action was part of a calculated strategy.[41][42]

Del Rey met her current managers, Ben Mawson and Ed Millett, three months after Lana Del Ray and they helped her to get out of her contract with 5 Points Records, where, in her opinion, 'nothing was happening.' Shortly after, she moved to London, and moved in with Mawson 'for a few years.'[13] When choosing her stage name, she said: 'I wanted a name I could shape the music towards. I was going to Miami quite a lot at the time, speaking a lot of Spanish with my friends from Cuba – Lana Del Rey reminded us of the glamour of the seaside. It sounded gorgeous coming off the tip of the tongue.'[43] The name was based on a compound of actress Lana Turner and the Ford Del Rey sedan.[44][45][additional citation(s) needed] On September 1, 2010, Del Rey was featured by Mando Diao in their MTV Unplugged concert at Union Film-Studios in Berlin.[46]

In 2010, Del Rey acted in a short film called Poolside, which she made with several friends on a reported budget of $400.[47]

2011–2013: Breakthrough with Born to Die and Paradise

Del Rey performing at the Bowery Ballroom in December 2011.

After uploading them to her YouTube channel in 2011, Del Rey's videos for the songs 'Video Games' and 'Blue Jeans' became viral internet sensations,[2] and she was signed by Stranger Records to release 'Video Games' as her debut single.[48] She told The Observer, 'I just put that song online a few months ago because it was my favorite. To be honest, it wasn't going to be the single but people have really responded to it.'[6] The song earned her a Q award for 'Next Big Thing' in October 2011[49] and an Ivor Novello for 'Best Contemporary Song' in 2012.[50] The same month, she signed a joint deal with Interscope Records and Polydor to work on her second studio album Born to Die.[24][51][52][53]

She was in a relationship with Kassidy member Barrie-James O'Neill from August 2011 until June 2014.[54][55]

Del Rey built anticipation to the album by doing a number of live appearances, such as promotional concerts at the Bowery Ballroom and at the Chateau Marmont, and with performances at television shows such as De Wereld Draait Door, and Later... with Jools Holland.[56][57][58][59]

Del Rey also performed two songs from the album on Saturday Night Live on January 14, 2012, and received a negative response from critics and the general public. Del Rey's performance was defended by the evening program's guest host, actor Daniel Radcliffe, despite not having seen her performance.[60] She had earlier defended her spot on the program, saying: 'I'm a good musician [...] I have been singing for a long time, and I think that [SNL creator] Lorne Michaels knows that [...] it's not a fluke decision.'[61] The following week on SNL, Kristen Wiig impersonated Del Rey where she humorously defended herself during Weekend Update.[62]

Del Rey at a fan meet promoting Born to Die in Seattle, Washington in 2012.

Born to Die was officially released on January 31, 2012, worldwide, and reached number one in 11 countries, though critical reaction was divided.[63][64] The same week, she announced she had bought back the rights to her 2010 debut album, and had plans to re-release it in the summer of 2012 under Interscope Records and Polydor.[65] Contrary to Del Rey's press statement, her previous record label and producer David Kahne have both stated that she bought the rights to the album when she and the label parted company, due to the offer of a new deal, in April 2010.[51][66]Born to Die sold 3.4 million copies in 2012, making it the fifth-best-selling album of 2012.[67][68][69] In the United States, Born to Die charted on the Billboard 200 album chart well into 2012, lingering at number 76, after 36 weeks on the chart.[70] In an interview with RTVE on June 15, 2012, she announced her new album would be out in November.[71] Mid-September saw the official announcement of Paradise's lead single, 'Ride'.[72][73]

On January 4, 2012, it was reported she had signed a deal with Next Model Management agency.[74]H&M confirmed that Del Rey would be modeling and recording a cover version of the popular 1950s prom anthem 'Blue Velvet' for their 2012 Autumn Campaign.[75] H&M's 2012 Winter campaign, featuring Lana Del Rey, was released on October 12. This is the second H&M campaign Lana Del Rey is featured in.[76][77]On September 19, 2012, the music video for 'Blue Velvet' was released through H&M.[78] One day later, on September 20, 'Blue Velvet' became available for purchase as a promotional single. 'Ride' became available for purchase on September 25, 2012. The music video for 'Ride' was premiered at the Aero Theatre in Santa Monica, California on October 10, 2012.[79][80] Some critics panned the video as pro-prostitution[80][81] and antifeminist, the latter being a word attributed to Del Rey's work since 'Video Games'.[82][83]

Del Rey at the Paris Motor Show endorsing the Jaguar F-Type in 2012.

In May 2012, British fashion house Mulberry released the 'Del Rey' bag, inspired by its namesake's signature style.[84] On August 22, 2012, executives announced that Del Rey would endorse their new JaguarF-Type which was unveiled by Del Rey at the Paris Motor Show in September 2012. Adrian Hallmark, Jaguar's global brand director, explained their choice, saying Del Rey had 'a unique blend of authenticity and modernity'.[85]

The song 'Burning Desire', which was initially available for immediate digital download upon pre-ordering Del Rey's third EP, Paradise, was later made available for purchase on Amazon.com and 7digital as a stand-alone download on March 19, 2013, one month after its music video hit YouTube. The song serves as the title track to a 13-minute promotional short film for the Jaguar F-Type, called Desire. The film, directed by Adam Smith, was produced by Ridley Scott and stars Damian Lewis.[86][87]Del Rey's Paradise Edition of Born to Die was set to be released on November 12. With the release of her third EP, Paradise, Del Rey spawned her second top 10 album in the United States, debuting at number 10 on the Billboard 200 with 67,000 copies sold in its first week.[88]

At the 2012 MTV Europe Music Awards, Del Rey received nominations in the categories Best Alternative, Best Push, and Best New Act. Winning Best Alternative, Del Rey presented the award for Best Female to Taylor Swift.[89] At the 2013 BRIT Awards, she won the award for International Female Solo Artist, making it her second BRIT Award to date.[90] Her win surprised critics who highly anticipated Taylor Swift to win the award.[90] In March 2013, she recited Walt Whitman's poem 'Song of Myself' for the French fashion magazine, L'Officiel Paris.[91]

Del Rey's seventh single, 'Dark Paradise', was released as a single in Germany, Austria, and Switzerland on March 1, 2013. Del Rey won the ECHO Awards for Best International Newcomer and Best International Pop/Rock Artist on March 21, 2013. A music video for Del Rey's cover of Leonard Cohen's 'Chelsea Hotel #2' was released on March 27, 2013.[92] The following month, in April 2013, another self-produced video was released; it showed Del Rey and her boyfriend, Barrie-James O'Neil, covering 'Summer Wine', by Lee Hazlewood. 'Burning Desire' became available for purchase as a stand-alone download on March 19, 2013, as the second promotional single from Paradise; its music video was premiered the previous month on Valentine's Day of 2013.[93]

Del Rey at the Echo music awards in 2013

After the release of Paradise, Del Rey penned the original song 'Young and Beautiful' for the soundtrack of the 2013 film adaptation of The Great Gatsby with director, co-writer, and co-producer Baz Luhrmann.[94]

Following the song's release, it peaked at 22 on the Billboard Hot 100, making it Del Rey's highest peak on the chart.[95] However, shortly after its release to contemporary hit radio, the label prematurely pulled it and decided to send a different song to that format; on July 2, 2013, a Cedric Gervais remix of Del Rey's 'Summertime Sadness' was sent there; a sleeper hit, the song proved to be a success, surpassing 'Young and Beautiful', reaching number 6 and becoming her first American top ten hit.[96] The remix won the Grammy Award for Best Remixed Recording, Non-Classical in 2013.[97]

Alongside Paradise, Del Rey announced plans to launch a short film titled Tropico.[98][99]Tropico was filmed in late June 2013 and directed by Anthony Mandler.[99]

On November 22, 2013, an official trailer for Tropico was released; at the end of the trailer, it was announced that the film would be uploaded to Del Rey's official VEVO account on December 5, 2013.[100] The short film premiered on December 4 at Cinerama Dome in Hollywood. Before showing the film, Del Rey told the audience 'I really just wanted us all to be together so I could try and visually close out my chapter before I release the new record, Ultraviolence'.[101][102] Journalists identified the phrase from the Anthony Burgess' dystopian novel A Clockwork Orange (1962), but reports were conflicting as to whether or not the title was stylized as one or two words.[102][103] On December 6, 2013, an EP, also titled Tropico, was made available for purchase via iTunes; it includes the film itself along with the three aforementioned songs.[104][105]

2014–2015: Ultraviolence and Honeymoon

Del Rey performing at Coachella Festival in 2014.

On January 23, 2014, it was announced that Del Rey would be covering the song 'Once Upon a Dream' (from the 1959 film Sleeping Beauty) for the 2014 dark fantasy film Maleficent. The single was released on January 26.[106]

On February 20, Del Rey posted a picture of herself and Dan Auerbach on Twitter with the caption 'Me and Dan Auerbach are excited to present you Ultraviolence'.[107]

The first single off Ultraviolence, 'West Coast', was released on April 14.[108]

On May 23, Del Rey performed three songs at Kim Kardashian and Kanye West's pre-wedding celebration at the Palace of Versailles.[109] West had previously played Del Rey's 'Young & Beautiful' during his proposal to Kardashian in October 2013.[110] 'Shades of Cool', the second single, was released on May 26, 2014.[111] The third single and title track, 'Ultraviolence', was released on June 4.[112] June 8 saw the release of the fourth single, 'Brooklyn Baby'.[113]

Ultraviolence was released on June 13, 2014, and debuted at number one in 12 countries, including the United States and United Kingdom. The album sold 880,000 copies in its first week, worldwide.[114] She described her third studio album as being 'more stripped down but still cinematic and dark'.[115]

A Rolling Stone article revealed that Del Rey would be a guest on Brian Wilson's forthcoming studio album No Pier Pressure.[116] Two new songs by Del Rey, 'Big Eyes' and 'I Can Fly', featured in Tim Burton's 2014 biographical film Big Eyes, which focused on the American artist Margaret Keane. 'Big Eyes' was co-written by Daniel Heath, while 'I Can Fly' was co-written by Rick Nowels.[117]

In December 2014, Del Rey announced she would be headlining a tour in Summer 2015, deemed 'The Endless Summer Tour'. Eight of the shows featured Courtney Love,[118] and ten of the shows featured Grimes. Also in December 2014, in an interview with Galore Magazine, Del Rey revealed she began working on a new album, which she said would be released sometime in 2015.[119] She told Grazia Magazine about how she wanted to introduce orchestrations with monumental choruses with a touch of subdued grunge for the album, 'I played Mark Ronson ten songs that I have composed for this next album. It explores a sound close to the golden age of jazz', she said.[120] Earlier that month, Del Rey also mentioned to Galore Magazine that she is already at the recording stage for the album and that '[she's] also always writing small pieces for independent films etc. Dan Heath and Rick Nowels are two of my dearest friends and producers and we are always up to something.'[121] In January 2015, Del Rey stated in an interview with the LA Times that a song on her new record would be titled 'Music to Watch Boys To'.[122] The same month, a song she recorded for Emile Haynie's album titled Wait for Life was released.[123] She also recorded 'Life is Beautiful', a song featured in the trailer for the movie The Age of Adaline.

In June 2014, she said 'I have this idea for this record called Music to Watch Boys To, so I'm just kind of thinking about that and what that would mean.'[124] Del Rey later confirmed in an interview with Billboard that her new record would be entitled Honeymoon.[125]

In 2014, James Franco announced his plans to release Flip-Side: Real and Imaginary Conversations with Lana Del Rey, which was slated for release in February 2015, but left unreleased for unknown reasons.[126]

On January 15, 2015, Del Rey received a BRIT Award nomination for International Female Solo Artist, her second nomination in the category and third overall.[127]

On July 14, 2015, Del Rey released 'Honeymoon', the first and title track from the album.[128][129] She revealed that the album would contain fourteen tracks, describing the songs with 'a muddy trap energy and some inspired by late-night Miles Davis drives'.[130]

On August 4, 2015, Del Rey revealed the first single 'High by the Beach', which was released on August 10, 2015.[131] On August 4, 2015, The Weeknd also revealed the track listing for his upcoming second studio album Beauty Behind the Madness which features a collaboration with Del Rey, entitled 'Prisoner'.[132] On August 21, 2015, she released 'Terrence Loves You' as a promotional single, available instantly with the pre-order of the album.[133] The title track was later released as a promotional single on September 7, 2015.[134]Honeymoon was released on September 18, 2015[135] to general acclaim from music critics,[136] who praised the music and Del Rey's sophistication and vocal performance.

In 2015, Del Rey donated funds to help produce Hi, How Are You Daniel Johnston?, a short documentary on singer-songwriter Daniel Johnston.[137] Upon attending the film's premiere with Johnston and director Gabe Sunday, she said: 'The one thing I hoped is that he [Johnston] understood that while he's home alone doing his art still – he says he writes every day – that he knows that he really did make a difference in people's lives. He made a difference in mine.'[137]

In November 2015, Del Rey executive produced a short film Hi How Are You Daniel Johnston, documenting the life of Daniel Johnston. For the film, she also covered one of Johnston's songs, called 'Some Things Last a Long Time', from his album 1990. For the cover, she collaborated with producer Justin Parker.[138] Also in November 2015, Del Rey received the Trailblazer Award at the Billboard Women in Music ceremony[139] and won the MTV Europe Music Award for Best Alternative.[140]

2016–2017: Lust for Life and collaborations

Del Rey performing at the Flow Festival in 2017

In October 2015, Del Rey announced that she planned writing material for her new record.[141][142] In January 2016, Del Rey was nominated with the 'Favorite Female Artist' award at the People's Choice Awards, and she also received a Brit Award nomination for International Female Solo Artist, her third nomination in the category and fourth overall.[143][144] In February and March 2016, Del Rey and her managers, respectively, officially revealed that she began working on her fifth studio album, just months after releasing her fourth.[145][146]

On February 9, 2016, Del Rey hosted a premiere for the music video of her song 'Freak'. It was located at The Wiltern, in Los Angeles. The video debuted via Del Rey's VEVO on the same date. In December 2015, Del Rey started announcing festival dates for Europe and North America to promote Honeymoon.[147] She performed at these festivals from June 2016 to November 2016.

In 2016, Del Rey was featured on The Weeknd's third studio album Starboy,[148] providing backing vocals on 'Party Monster' and lead vocals on 'Stargirl Interlude'.[149] 'Party Monster', which Del Rey also co-wrote, was given single treatment[150] and subsequently reached the Top 20 on the Billboard Hot 100 and was certified platinum in the US.[151]

On March 29, 2017, Del Rey released a trailer online announcing her new record, Lust for Life.[152] About the album, Del Rey stated 'I made my first 4 albums for me, but this one is for my fans and about where I hope we are all headed.'[153] During a livestream in February, Del Rey described the aesthetic of the album as having a 'retro sensibility with a futuristic flair'. She released the official cover art for Lust for Life on April 11, 2017.

'Love', the lead single, preceded the album's announcement when its[152][154][155][156]Rich Lee-directed video was released in February on Vevo.[157] 'Lust for Life', the eponymous single featuring The Weeknd, was released on April 19, 2017.[158] Del Rey released the digital single 'Coachella – Woodstock in My Mind' on May 15, 2017.[159] On July 12, BBC Radio 1 aired 'Summer Bummer', which features ASAP Rocky and Playboi Carti, and 'Groupie Love', which features Rocky as well.[160]

Lust for Life was officially released on July 21, 2017. The record featured the aforementioned collaborations with Playboi Carti, ASAP Rocky, and The Weeknd, as well as ones with Stevie Nicks and Sean Ono Lennon,[161][162][163] marking the first time she has featured other artists on her own release. The album received generally favorable reviews and became Del Rey's third number-one album in the United Kingdom, and second number-one album in the United States.[164][165]Lust for Life was nominated for Best Pop Vocal Album for the 60th Grammy Awards, it was Del Rey's second nomination in the category.[166] On September 27, 2017, Del Rey announced the LA to the Moon Tour, an official concert tour with Jhené Aiko and Kali Uchis to further promote the album. The tour began in North America during January 2018[167] and concluded in August.

2018–present: Norman Fucking Rockwell and poetry book

Del Rey was featured on Jonathan Wilson's album Rare Birds (2018) on the track 'Living with Myself'.[168] Subsequently, Del Rey collaborated with synthpop artist Børns on his sophomore album Blue Madonna (2018), appearing on the single 'God Save Our Young Blood' and 'Blue Madonna'.[169] On March 5, 2018, Del Rey's cover of Andrew Lloyd Webber's 'You Must Love Me' was released as a promotional single for his compilation album, Unmasked: The Platinum Collection.[170] Del Rey's previously unreleased song 'Elvis' appeared on the soundtrack for the Elvis Presley documentary The King (2018).[171] In August, Del Rey was featured on Cat Power's song 'Woman' from her album Wanderer, which was released in October.[172]

In August 2018, Del Rey received criticism after announcing her debut performance in Israel at the Meteor Festival due to controversy surrounding Palestinian-Israeli conflicts. Del Rey defended her then-upcoming performance by tweeting 'I believe music is universal and should be used to bring us together … Performing in Tel Aviv is not a political statement or a commitment to the politics there, just like singing here in California doesn’t mean my views are in alignment w[ith] my current government’s opinions or sometimes inhuman actions.”[173] Although Del Rey references Tel Aviv, the Meteor festival was scheduled to take place at Kibbutz Lehavot Habashan in the Upper Galilee region.[174][175] Del Rey cancelled her performance due to not being able to schedule an accompanying stop in the Palestinian territory.[176]

After Harvey Weinstein's sexual harassment and assault allegations gained widespread public notoriety in 2017, Del Rey announced she was retiring her 2012 track 'Cola' from live shows. Del Rey publicly admitted how she did have 'a Harvey Weinstein/Harry Winston-type of character in mind' when she wrote the song,[177][178] hence the lyric 'Harvey's in the sky with diamonds and he's making me crazy', an apparent reference to Weinstein's alleged illicit sexual activities involving female stars.[citation needed]

In an interview for L'Officiel's first American edition in early 2018, when asked about Del Rey's interest in making a movie she responded that she had been approached to write a Broadway musical and had recently begun work on it. When asked how long it would be until completion of the work, Del Rey coyly replied, 'I may finish in two or three years.'[179][180]

On November 3, 2018, Del Rey was announced to be the face for Gucci's Guilty Fragrances, alongside Jared Leto.[181] The duo starred in a print-and-television campaign, which debuted in January 2019.[182][183]

On September 12, 2018, Del Rey released a new single titled 'Mariners Apartment Complex'.[184] On September 18, she released the song 'Venice Bitch', and announced the title of her sixth album to be Norman Fucking Rockwell, expected to be released sometime in 2019.[185][186][187] Del Rey premiered the track 'How to Disappear', expected to feature on the album, at an Apple Music event on October 30, 2018.[188] On January 9, 2019, 'Hope Is a Dangerous Thing for a Woman like Me to Have – but I Have It' was released as the third single from the album.[189]

Upon debuting 'Venice Bitch' on September 18, 2018, Del Rey announced her plans to self-publish a book of poetry, tentatively titledViolet Bent Backwards Over the Grass.[190][191] She shared the first poem from the book to her Instagram account in February 2019.[192] On May 17, 2019, Del Rey released a cover of the Sublime song, 'Doin' Time', as part of their documentary shown at the Tribeca Film Festival.[193]

On June 22, 2019 Del Rey announced in a concert in Ireland that Norman Fucking Rockwell will be released in August.[194]

Artistry

Musical style

Lana Del Rey Die For Me Download
Del Rey performing at Irving Plaza in June 2012

Del Rey's musical sound has been dubbed 'Hollywood sadcore' by music critics.[195][196] Her music has been repeatedly noted for its cinematic sound and its references to various aspects of pop culture, particularly that of 1950s and 1960s Americana.[c] Del Rey elaborated on this in an interview with Artistdirect, saying 'I wasn't even born in the '50s but I feel like I was there.'[203]

Associated with several styles, Del Rey's music has been tagged broadly as dream pop[204][205] or baroque pop[206][207][208] linked to various forms of rock,[209][210]indie music,[211] and trip hop,[212][213][214] and often touching on styles such as hip hop,[215]trap music,[216] and psychedelic rock on particular releases.[217] Of Born to Die, indie music journal Drowned in Sound wrote, 'She likes that whole hip hop thing though, has this whole swagger thing going that not many girls like her got', adding that it sounded like a poppier Bond soundtrack.[218]

Del Rey's subsequent releases would introduce variant styles, particularly Ultraviolence, which employed a guitar-based sound akin to psychedelic and desert rock.[219] Kenneth Partridge of Billboard noted this shift in style, writing: 'She sings about drugs, cars, money, and the bad boys she's always falling for, and while there remains a sepia-toned mid-century flavor to many of these songs, [Del Rey] is no longer fronting like a thugged-out Bette Davis.'[220] Upon the release of Honeymoon, one reviewer characterized Del Rey's body of work as being 'about music as a time warp, with her languorous croons over molasses-like arrangements meant to make clock hands seem to move so slowly that it feels possible, at times, they might go backwards.'[221]

Del Rey has been described as a 'self-styled gangsta Nancy Sinatra' and 'Lolita lost in the hood.'[222]

Prior to coming to prominence under the stage name Lana Del Rey, she performed under the names Lizzy Grant, Lana Rey Del Mar,[223] Sparkle Jump Rope Queen,[224] and May Jailer.[225] Under the stage name Lizzy Grant, she referred to her music as 'Hawaiianglam metal',[226] while the work of her May Jailer project was acoustic.[225][227][228]

Influences

Artists from Frank Sinatra (left) to Andrew Lloyd Webber (right) have influenced Del Rey and her music.

Del Rey cites a wide array of musical artists as influences, including numerous performers from the mid-twentieth century, including Andrew Lloyd Webber,[229]Elvis Presley, Frank Sinatra, Cat Power, Fiona Apple, Hope Sandoval, Father John Misty, Antony and the Johnsons, Nina Simone, Billie Holiday, Julie London,[230]Bobby Vinton, The Crystals, Miles Davis, The Shangri-Las, Janis Joplin, Axl Rose, The Eagles, Lou Reed, Bob Seger, and Bruce Springsteen.[231] '[I really] just like the masters of every genre', she told BBC radio presenter Jo Whiley.[232] Her favorite artists include Bob Dylan, Frank Sinatra, Jeff Buckley, Joan Baez, Leonard Cohen, and Eminem.[233] She covered Cohen's 'Chelsea Hotel #2' in 2013.[92] Janis Joplin's live version of 'Summertime' from the Cheap Thrills album is one of Del Rey's favorite songs. Del Rey has also cited 'Time of the Season' by The Zombies and 'Hotel California' by The Eagles as favorites and inspirations.[234]

Her favorite films, The Godfather, The Godfather Part II, and American Beauty have also inspired her musical style.[235] Inspired by poetry, Del Rey cites Walt Whitman and Allen Ginsberg as instrumental to her songwriting; specifically, she named Leaves of Grass by Whitman and 'Howl' by Ginsberg. Her song, 'Body Electric' from her third EP, Paradise, alludes to Whitman in the lyric, 'Whitman is my daddy'. The song's chorus of 'I sing the body electric' is a direct reference to Whitman's poem 'I Sing The Body Electric'.[234][236] She recited Whitman's poem 'Song of Myself' for the French fashion magazine, L'Officiel Paris.[91] Del Rey has also cited the surrealist film directors David Lynch and Federico Fellini and the surrealist painters Mark Ryden and Pablo Picasso as influences.[203][237]

Voice and timbre

Del Rey possesses an expansive contraltovocal range, which spans three-plus octaves and has been described as captivating and highly emotive, ranging from high notes in a girlish timbre to jazzy ornaments in her lower gesture with great ease.[238][239][240][241] Following the release of Ultraviolence, which was recorded live in single takes and lacking Pro Tools vocal editing, critics fell into favor with Del Rey's vocal ability, praising her large range, increased vocal confidence, and uniquely emotive delivery.[242][243][244] When recording in the studio Del Rey is known for vocal multi-layering, which, as it has been noted, is difficult for her to replicate within a live setting, especially with the lack of backing singers to fill out the original vocal style.[238] Stage fright has also been noted as a major contribution to Del Rey's struggles with live performances.[245] However, journalists noted in 2014 that her live performances had increased exponentially in confidence. Billboard deemed the Coachella debut of 'West Coast' to be a 'star-making performance' and lauded the singer's vocal abilities.[246][247]Contemporary music critics have called her voice 'smoky',[248] 'gravelly',[226] and reminiscent of Marilyn Monroe.[226] Upon the 2015 release of Honeymoon, her voice was compared by Los Angeles Times critic Mikael Wood to those of Julee Cruise and Eartha Kitt.[249]

Del Rey started the use of her lower vocals on the tracks from Born to Die, claiming that 'people weren't taking me very seriously, so I lowered my voice, believing that it would help me stand out. Now I sing quite low... well, for a female anyway'.[250][251][252]

'I sing low now, but my voice used to be a lot higher. Because of the way I look, I needed something to ground the entire project. Otherwise I think people would assume I was some airhead singer. Well, I don't think... I know. I've sung one way, and sung another, and I've seen what people are drawn to', she said on the topic.[18]

Lana Del Rey Die For Me Download Pc

Videos and stage

With her music often being noted for its cinematic score-like qualities, Del Rey's videos are also often characterized for their usually cinematic quality with a retro flare. Since her career beginnings as an independent artist, Del Rey has recorded clips of herself singing along to her songs on webcams and juxtaposed them alongside vintage home videos and films to serve as 'homemade music videos', a style which helped gained her early recognition. Following her early success, Del Rey had a series of high budget music videos including the videos for 'Born To Die' and 'National Anthem' (both 2012) and 'Young and Beautiful' (2013), both of which incorporated elements of 90s cult films while paying tribute to aspects of Americana and New York hip-hop cultures. Her following videos for tracks such as 'Summer Wine', 'Carmen', and 'Summertime Sadness' were all produced off of significantly lower budgets and retained more elements of Del Rey's earlier style. The Ultraviolence era incorporated an admixture of high budget videos and self-made ones, while the Honeymoon era was almost strictly film noir-influenced professionally-shot visuals. Both eras saw some of Del Rey's homemade videos for tracks such as 'Pretty When You Cry' and 'Honeymoon' going unreleased due to Del Rey stating they were 'too boring' with 'nothing happening' in them. The Lust For Life era was widely characterized for its futuristic flare in its mildly filtered vintage-inspired look.

Critics have noted Del Rey for her typically simple, but authentic live performances.[253] A September 2017 concert review published in The New York Times noted: 'For more than an hour, Ms. Del Rey was eerily casual, singing and smiling with the ease of someone performing at singer-songwriter night at the local coffee shop.'[253] Another review by Roy Train published in The Hollywood Reporter in 2014 noted 'a distance in her bonhomie, obvious even from my perch at the opposite end of the stage high above the fray, the chill still palpable.'[254]

Public image

Prior to the release of her debut major label album Born to Die in 2012, Del Rey was the subject of several articles discussing her image and career trajectory.[d] One article by Paul Harris published by The Guardian just a week before the album's release noted the differences between Del Rey's perceived persona in 2008, when she performed as Lizzy Grant, and in the present, as Lana Del Rey.[256] Harris wrote:

The internet has allowed figures like [Del Rey] to come rapidly to the fore of the cultural landscape, whether or not their emergence is planned by a record executive or happens spontaneously from someone's bedroom. It has speeded up the fame cycle. It is worth noting that the huge backlash to Del Rey is happening before her first album has even been released. This reveals a cultural obsession with the 'authenticity' that fans, artists and corporations all prize above all else.[256]

Tony Simon, a producer who had worked with Del Rey in 2009, defended her against the public claims of inauthenticity and allegations that she was a product of her record label: 'To be clear, all the detractors saying she's some made-up-by-the-machine pop star are full of shit. While it's impossible to keep the businesses' hands out the pop when creating a pop star, the roots of where this all comes from are firmly inside of Lizzy Grant.'[30]

Del Rey would later respond to this in a 2017 interview, stating: 'I didn't edit myself [on Born to Die] when I could have, because a lot of it's just the way it was. I mean, because I've changed a lot and a lot of those songs, it's not that I don't relate but… A lot of it too is I was just kinda nervous. I came off sort of nervously, and there was just a lot of dualities, a lot of juxtapositions going on that maybe just felt like something was a little off. Maybe the thing that was off was that I needed a little more time or something, and also my path was just so windy just to get to having a first record. I feel like I had to figure it out all by myself. Every move was just guesswork.'[258] Del Rey has been labeled a 'sad girl' through her music and image.[259][260]

Having been labeled as antifeminist multiple times in the past,[80][82][83] Del Rey dismissed feminism in June 2014, telling The Fader: 'For me, the issue of feminism is just not an interesting concept. I'm more interested in, you know, SpaceX and Tesla, what's going to happen with our intergalactic possibilities. Whenever people bring up feminism, I'm like, God. I'm just not really that interested.'[261]

Lana Del Rey Die For Me Download Free

She also defended herself against the accusations of antifeminism, saying 'For me, a true feminist is someone who is a woman who does exactly what she wants. If my choice is to, I don't know, be with a lot of men, or if I enjoy a really physical relationship, I don't think that's necessarily being anti-feminist. For me the argument of feminism never really should have come into the picture. Because I don't know too much about the history of feminism, and so I'm not really a relevant person to bring into the conversation. Everything I was writing was so autobiographical, it could really only be a personal analysis.'[262]

Impact

Since her debut, Del Rey has been credited as popularizing the sadcore genre for mainstream audiences.[263] Del Rey has been credited as an influence by a number of artists including Billie Eilish,[264]Finneas, Kevin Abstract,[265][266]Au/Ra,[267]Fifth Harmony,[268][269]Lauren Jauregui,[270]Lauren Aquilina, FLETCHER, Grace Mitchell, Colours,[271]Jacquie Lee, Áine Cahill, Donika Nuhiu, Maggie Lindemann, and Colours.

Accolades

Del Rey's work has earned her numerous awards and nominations; she has won the Q Award for 'Best New Thing', a GQ Award for 'Woman of the Year',[272] two BRIT Awards for 'International Breakthrough Act' and 'International Female Solo Artist',[273] and an EMA for 'Best Alternative Act'.

In 2013, she received her first Grammy nominations at the 56th Annual Grammy Awards. These nominations include Best Pop Vocal Album for Paradise and Best Song Written for Visual Media for 'Young and Beautiful'.[274]

In 2015, Del Rey won the MTV Europe Music Award for 'Best Alternative'. She also received the Trailblazer Award at the 2015 Billboard Women in Music event.[275]

In 2016, Del Rey received 'Best Female Artist of the Year' award from The Elle Style Awards by Elle magazine.[276]

In 2018, Del Rey received her fourth Grammy nomination at the 60th Annual Grammy Awards, in the category Best Pop Vocal Album for Lust for Life.[277]

Discography

Studio albums
  • Lana Del Ray (2010)
  • Born to Die (2012)
  • Ultraviolence (2014)
  • Honeymoon (2015)
  • Lust for Life (2017)
  • Norman Fucking Rockwell (2019)[278]
Extended plays
  • Kill Kill (2008)
  • Paradise (2012)
See also
  • Sirens (2006)

Tours

Headlining
  • Born to Die Tour (2011–2012)[279]
  • Paradise Tour (2013–2014)[279]
  • The Endless Summer Tour (2015)
  • LA to the Moon Tour (2018)

Notes

  1. ^It was noted in articles published in Rolling Stone[7] the Irish Independent,[21]Clash,[22] and Yahoo[23] that Del Rey attended the Kent School on financial aid.
  2. ^In mid-2012, Spinner[31] and NME[32] published articles regarding the leak of an album titled Sirens, recorded circa 2005 and attributed to Del Rey, who had recorded the songs under the stage name May Jailer.[33][34][35]
  3. ^Both critics and Del Rey herself have noted a persistent theme of Americana in her music. Articles published in The Huffington Post[197]The New Yorker,[198]Idolator,[199][200]Art+Action,[201] and Vulture[202] have noted this.
  4. ^Several articles were published prior to the release of Born to Die that noted critical and public perceptions regarding the evolution of Del Rey's image. The presence of such thinkpieces circulating was noted in a 2011 Pitchfork article,[255] and would later be written on extensively in articles published in The Guardian[256] and Spin.[257]

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  264. ^Cite error: The named reference Steph was invoked but never defined (see the help page).
  265. ^Kevin Abstract [@kevinabstract] (April 20, 2019). 'thankulana dey rey for making venice bitch and inspiring my album we used live instruments for almost every song fucking nuts jack is a wizard and thank u jaden walker for showing me Venice. Bitch and thank u Romil Hemnani for laying down the early sonic landscape for these songs' (Tweet). Retrieved April 21, 2019 – via Twitter.
  266. ^Kevin Abstract [@kevinabstract] (April 20, 2019). 'If I didn't hear this when we were on tour I probably never woulda wanted to make ARIZONA baby I love this song so much' (Tweet). Retrieved April 21, 2019 – via Twitter.
  267. ^https://www.allmusic.com/artist/au-ra-mn0003705226/related
  268. ^Cite error: The named reference Fifth Harmony Bio was invoked but never defined (see the help page).
  269. ^'TeenNick Top 10: An Interview With Fifth Harmony'. Teen Nick. August 22, 2013. Archived from the original on August 22, 2013. Retrieved March 28, 2016.
  270. ^'Lauren Jauregui: I've been inspired by Lana Del Rey'. The List. October 28, 2018. Retrieved December 14, 2018.
  271. ^Kaplan, Ilana. 'Social Media Star Turned Singer Maggie Lindemann Talks Outsider Pop and Overcoming Cyberbullying - Noisey'. noisey. Retrieved September 22, 2016.
  272. ^Heaf, Jonathan. 'Woman Of The Year: Lana Del Rey'. British GQ. Retrieved May 20, 2019.
  273. ^'BRIT Awards 2013: Lana Del Rey Wins International Female Solo Act'. Capital. Retrieved May 20, 2019.
  274. ^'Grammy Awards 2014: Full Nominations List | Billboard'. Billboard. Archived from the original on August 13, 2016. Retrieved April 12, 2014.
  275. ^Macpherson, Rachel (August 21, 2017). 'YOUNG AND BEAUTIFUL When is Lana Del Rey coming to Glasgow, how can I get tickets for the SSE Hydro gig? Everything you need to know about the singer's Scottish tour date'. The Scottish Sun. Retrieved October 10, 2018.
  276. ^'Lana Del Rey Wins 'Best Female Artist Of The Year' ELLE Style Awards 2016'. Elle UK. Archived from the original on March 2, 2016.
  277. ^'60th Annual GRAMMY Awards'. GRAMMY.com. November 28, 2017. Retrieved November 28, 2017.
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  279. ^ ab'Lana Del Rey'. bandsintown.com. Archived from the original on April 17, 2016. Retrieved April 17, 2016.

External links

  • Lana Del Rey at AllMusic
  • Lana Del Rey on IMDb
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